Almost any lens can be adapted on the Sony a7/a9 series. I often use these terms interchangeably. Fortunately some of Sony’s lenses are very clear exceptions to this rule. The faster the maximum aperture a lens offers, the more light it will be able to shine onto your camera’s sensor. And so there’s no simple formula we can follow for understanding how the bokeh of a given lens is likely to be. In this case, if some of the background turns out to be less sharp than the foreground, it is unlikely to be a major worry. Most native lenses for the Sony a7III are very quiet. The lens displays great contrast, even in tricky light. Maintains focus throughout the zoom range, Autofocus not as smooth and silent as I would have liked. $898.00 $ 898. Making the background of your shots a real pleasure to look at – if the viewer even notices the background at all. Which Sony a7III lenses for video would you recommend? If you can live with that, the 28-135mm f/4 G OSS offers videographers a lot to work with. Exactly how the bokeh of your footage looks will depend on the lens you use. Indeed footage captured with the lens displays great micro-contrast, making for video clips that are extremely detailed and well-resolved even when shot wide open. Your email address will not be published. To prevent dust or debris from getting inside the camera, remove dust from the body cap before attaching it to the camera. The advantage of a zoom is simply convenience; it’s effectively several lenses in one, allowing you to cover a variety of cinematic tasks with a single piece of glass. (I sold my Leica M240 M-P to fund the Sony A7RIII) Sure manual focus only, but small, light, sharp, top quality glass. For this latter category of user, the problem with many modern camera systems – the Sony Alpha series included – is that manufacturers have largely taken to producing lenses that do not offer true mechanical manual focusing. How useful you’ll personally find the power zoom function will depend on your particular shooting style. â¢Do not leave the lens or the viewfinder exposed to a strong light source such as sunlight. Many different technical factors contribute to the way in which a lens renders out of focus areas of an image. As an alternative, consider the Sonnar T* FE 35mm f/2.8 ZA, which measures about a third of the size and costs half the price – despite being a Zeiss lens. Indeed, it’s common among most modern lens manufacturers. 99. All other things being equal, I don’t think that any photographer or director would ever choose a lens that produces soft images over a lens that produces sharp ones. And bokeh is excellent – especially considering that this is a zoom lens. For a start, this is a “power zoom.” Which means that the zoom mechanism is motorized and will move smoothly from telephoto to wide angle focal lengths (and back again) at the flick of a switch. But aperture isn’t just about exposure, but also depth-of-field. There is, however, some very slight noise from the motors. Meaning that you can easily achieve beautiful shallow depth-of-field shots, without losing foreground resolution. If any questions remain unanswered donât hesitate to leave a comment ð Legend AF tracking, on the other hand, works beautifully most of the time – only occasionally seeking focus either in front or behind the subject. So unsurprisingly the lens is big and heavy just like the FS7. Luckily the Sony A7RII provides a couple of great tools to help you get that sharp focus when manually focusing with third party lenses. It actually works very well though; once you find the right technique. Alternatively the ring can be set to continuous adjustment, permitting smooth aperture racking when filming. View and Download Sony A7 III instruction manual online. But that doesnât mean those lenses need to break the bank. I blog and publish articles about camera lenses here at lensguide.io. And it’s the same with both the light chromatic aberration and the rather heavy vignetting the lens produces when wide open; i.e. Get it as soon as Tue, Jan 12. Nonetheless, Sony is by no means alone in using the focus-by-wire system for “manual” focusing. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. The three most important factors for the weight of a lens are speed, vignetting and the degree of optical correction. Yes, there is some evident drop off in sharpness at the corners when wide open. For videographers in need of a relatively short telephoto lens for shooting talking heads, detail shots, and assorted pickups, the Sony FE 85mm f/1.4 G-Master presents a very attractive – if somewhat pricey – solution. Especially if you are looking for an all-in-one solution with a wide zoom range and a fast aperture for general use. These G-Master lenses are generally superb, so it comes as no surprise to discover that the FE 24-70mm f/2.8 GM is one of the best lenses for video on the a7III. 1-16 of 943 results for "Lenses for Sony A7iii" Sony FE 20mm F1.8 G Full-Frame Large-Aperture Ultra-Wide Angle G Lens, Model: SEL20F18G. It’s also a great little mid-length telephoto lens for videography. Meanwhile a cinematographer is more concerned with the art of storytelling and the craft of image making. This makes the lens less suitable for situations in which you might want to use audio recorded from the camera itself. As I said above, modern lenses all tend to perform pretty well on sharpness. The Zeiss-badged Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS has been the main choice for Alpha users after a high-quality wide-angle zoom lens, but the arrival of the Sony â¦ I’m a travel photographer from Paris, France. Albeit one that offers a slightly slower maximum aperture than the G-Master. To be sure, you wouldn’t really expect this to happen with any lens, but the fact is that with some lenses it can and does. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Another slight annoyance is that there’s some noticeable chromatic aberration and clear vignetting at the widest aperture settings. But if that’s you, there’s one other important issue to be aware of; motor noise. Often quite a lot more money. And here eye-tracking really makes a difference, helping to nail shot after shot even under tricky lighting conditions. However, you would still do well to avoid excessively noisy lenses. When it comes to shooting video, it can be helpful to divide camera users into two categories; videographers and cinematographers. Finally, the lens is solidly built and fully weather sealed. Released five years after the original A7, the Sony A7III marks the third generation of Sonyâs âentryâ level full-frame mirrorless camera series. But although the a7III does indeed offer a fantastic solution for shooting full frame movies, in order to get the most out of the a7III as a videographer you really need to have appropriate glass on the front of the camera. The fact is that most modern lenses are extremely sharp anyway. Most people, however, tend to compose with their subject in the middle of the frame or following the rule of thirds. But to be honest both are well well controlled and don’t present a major flaw. Your cameraâs ISO allows you to adjust its light-sensitivity and allows it to pick up more light. Like really sharp footage? Field Tests. Indeed, the requirements of filmmakers are often a little more demanding than those of photographers. For stills photographers, the amount of noise a lens produces when focusing is usually of no great concern (other than potentially being a little annoying). The lenses you choose to keep in your kit need to be functional, practical, and the best that there is to give you the full potential of your camera. For regular shooting, though, OSS makes a world of difference to the final results; footage that might otherwise have been unusably shaky will often turn out smooth and professional-looking when shot with OSS engaged. This can make the difference between getting a technically perfect shot or having to compromise in some way (e.g. Top 7 Best Wide Angle Lenses for Sony a7III, Top 7 Best Portrait Lenses for Sony a7III. And out-of-focus rendering is always very pretty, thanks to some impressive internal optics and eleven rounded aperture blades. Or do you consider true manual focus to be essential? 4.9 out of 5 stars 100. The lens is beautifully sharp in the center, even at f/1.4. 4.4 out of 5 stars 408. This usually means using autofocus. Yet it must be said that there is a little bit of softness detectable at the edges at this aperture. First, though, it’s important to understand that while this lens will work perfectly with the a7III, that’s not the purpose it was originally designed for. The 35mm f/1.8 boasts very fast focusing speeds and displays excellent accuracy. Here focusing manually can often produce the best results. I.e. Absurd amounts of detail, but with beautiful blurry backgrounds? But this soon clears up at smaller apertures, and shutting down to f/5.6 will give you the optimum degree of sharpness both at center and edges. lens. The quality of out of focus areas of an image is what is referred to as bokeh. The above advice is just as valid whether you’re looking for a lens to shoot stills or movie clips. Itâs a compact lens, but it offers a great resolution. Autofocus works brilliantly. Just expect to pay anywhere between 10 or 20 times more for a modern manual focus lens than you would for an equally sharp oldie. Related searches. Love the D700, don't care about its resolution, not relatively poor dynamic range -this use to be a killer camera in the day, and to me, it should still be. With its full frame sensor and fast and accurate autofocus, the Sony a7III is well suited to serious movie work. Speed and convenience are not top priorities. turning the focus ring doesn’t directly move the lens’s mechanical components, but instead sends an electronic message to the camera, which in turn relays this to the lens’s focus motors, which then move the lens elements for you. But when you consider that it’s also one of the sharpest lenses available today – sharper even than the Zeiss Batis 135mm f/2.8, and faster to boot – then the price of the Sony 135mm f/1.8 is actually a bit of a steal. With that said, the long distances you typically need to turn the focus ring to set focus mean that radical focus racking effects will be very difficult to produce manually with this lens. With some lenses producing more attractive bokeh than others. Sure, sharpness isn’t everything in a lens (just nearly everything). As an alternative solution in this focal length, you might also want to take a look at the Zeiss Sonnar T* FE 55mm f/1.8 ZA. Best Lens For Sony a7iii: Final Thoughts. While featuring the usual Sony “fly-by-wire” focus mechanism, “manual” focusing is nonetheless surprisingly smooth and reactive. But should any doubt remain, rest assured that the FE 135mm f/1.8 delivers brilliantly in all other departments, too. Based around an updated 24.2-megapixel back-illuminated full-frame sensor, the A7 III punches well above its weight with a rich feature including a 693 phase-detect autofocus system, 10 frames per second, internal 4k video, and silent operation. But for videographers considering purchasing a zoom there’s another important issue to consider; focus breathing. Sony Manual Focus lenses. Meaning that the viewer is looking at the background instead of concentrating on whatever important action is taking place in the scene. And the G-Master series in particular tends offer a very reactive and well dampened “focus-by-wire” experience that can be quite satisfying to use. For example, a lens such as the Voigtlander 65 mm F2 Macro APO-Lanthar offers true manual focus and incredible optics while also providing exif information to the camera. 24.2 megapixels ISO â¦ For those who prefer to benefit from the advantages of fast and accurate modern autofocus, however, Sony’s range of native lenses for the a7III will likely prove the better choice. Best Travel and Walkaround Lens for Sony a7R III. Required fields are marked *. Manually Focusing With Third Party Lenses On A Sony A7RII Manually focusing with third party lenses on a Sony A7RII is not easy. Which are the best video lenses for the Sony a7III? FREE Shipping by Amazon. These are few and far between, however, and any native lens for the Sony a7III that doesn’t produce a nicely sharp image is likely faulty and should be returned to the dealer. Well-built, and fully dust and moisture resistant, it’s a durable and hard-working tool for photographers and cinematographers alike. However, beyond the automized zoom mechanism, you also have the possibility to zoom manually via a dedicated ring (though note that there’s some latency here). Finally, while “manual” focus is actually of the electronic variety, the Planar 50mm offers one of the most satisfying focus-by-wire experiences around, with the focus ring well dampened and responsive to the slightest touch. Color rendition is beautiful, with skin tones in particular being very attractive. But perhaps more than anything, the real draw here is simply image quality. The question is though, just how often do you zoom while filming? All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. For example, some bokeh is beautifully soft and smooth. And many native Sony lenses provide a manual focus experience that is very close to that of a true mechanical lens. While the lens features a broad metal ring for manual focus control, keep in mind that all Sony FE lenses are focus-by-wire, rather than offering true manual focus. Interchangeable Lens Digital Camera. Sure, there’s some slight drop-off in sharpness towards the edges of the frame at the widest aperture. This function works extremely well – indeed, likely much better than your wrist could ever manage – and is essentially silent. Best Standard Zoom Lenses for Sony a7 III. Sony FE 24-105mm f/4 G OSS ($1,298): Sonyâs new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered âbokehâ or background defocus at all focal lengths.This lens also features fast, precise and quiet autofocus capabilities in â¦ Finally, image quality is superb, with the lens producing sharply detailed footage in even quite variable conditions. Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! 00. As you may have noticed, Iâm a bit of a fan of prime lenses, and there are a few within the zoom range of the 16-35mm that bear mentioning. Nonetheless, cinematography purists will often prefer to work with fully manual lenses. Sony comes fully equipped with two powerful tools for manual focusing. As we’ve seen above, lenses for the Sony a7III also offer filmmakers many distinct advantages over legacy lenses. Or on the flip side, to reduce your exposure on those bright sunny days for a well-balanced result. More Buying Choices $889.00 (13 used & new offers) Having said this, it’s common for lenses – even optically very good lenses – to be considerably less sharp towards the edges of the frame than they are in the center when used at wider apertures. But for videographers who expect to use the audio recorded by the camera in the final edit, the whir and grind of focus motors can be enough to ruin a shot. One of the most talked about settings on a camera is the ISO; a numerical value on your camera that controls light sensitivity. If using old manual lenses sounds like too much hassle, though, there are many great (but not nearly as cheap) modern manual lenses available for use with the Sony a7III. The Sony FE 85mm f/1.4 GM Lens is the perfect lens for portrait photographers. Meike 35mm F1.7 Large Aperture Manual Focus Prime Fixed Lens APS-C for Sony E-Mount Mirrorless Cameras NEX 3 3N 5 NEX 5T NEX 5R NEX 6 7 A6600 A6400 A5000 A5100 A6000 A6100 A6300 A6500 A3000. With that said though, there’s a limit to how much it’s worth getting caught up in the current obsession with lens sharpness. The only way to know is to try before you buy. The 85mm GM comes with a dedicated manual aperture ring, permitting iris adjustments in one-third of a stop increments. Manual lenses. Your email address will not be published. The thing is, though, a fast maximum aperture is an advantage you can usually expect to pay more money for. Sony’s a7III has become one of the most highly sought-after cameras of recent years. As is the case with the 24-70mm f/2.8 G- Master above, which features a relatively fast maximum aperture and great image quality. There’s also a manual aperture ring, that will allow you to change the iris opening either in clicked increments or as a smooth continuous movement for when aperture racking while filming. Get it as soon as Tue, Oct 13. a7 III digital camera pdf manual download. Although this is not uncommon with a lens of this kind. The lens produces extremely detailed, high resolution images with great contrast. Unfortunately though, it’s rarely done well. Not only that, but zooms generally tend to have slower maximum apertures than primes; often ones that do not remain constant throughout the zoom range either. Having gone to the trouble of achieving the shallow depth-of-field look by blowing the background totally out of focus (see Maximum Aperture, above), you’ll want to be sure that those out of focus areas actually look good. Overall this is just a very good, fast-aperture prime lens for day-to-day shooting. What if I could use my three Leica M lenses on the camera though? But this is nothing out of the ordinary and certainly not worth worrying about. And for this reason alone the 85mm GM doesn’t make it to the top of my list of the best a7III lenses for video. As with several of Sony’s other lenses, a button on the barrel allows you to deactivate the clicks for smooth and continuous iris control; essential for aperture racking. Although it lacks weather sealing, the Sonnar is both considerably smaller and cheaper than the 50mm Planar, and yet is capable of delivering fantastically sharp footage. What’s more, it doesn’t even need an adapter. In this article I share my personal tips and recommendations for choosing the right optics for videography with the Alpha 7III. One lens to do it all? There are no clever tricks or gimmicks, but nor is there anything that is likely to cause much disappointment. And for a truly cinematic look, the shallow depth-of-field created by a wide iris opening is the only way to go. close down the aperture even just a stop or two and these problems quickly vanish. Without a doubt, though, a big part of the Alpha 7III’s success is also due to the fact that it excels at shooting both stills and video. Or indeed for any situation where you need to isolate your subject against a softly blurred background while retaining maximum resolution in the foreground. Anyway, a question weâve seen coming up more frequently these days, likely as Sony proliferates the market with the A7iii, is whether Sonyâs vaunted IBIS (Steadyshot) can be used with adapted lenses, old lenses, manual, non-electric lenses. 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